Live Production and Landscape Photography Similarities to Study and Apply

Posted on March 10th, 2014

Last night, I watched a video presentation* about landscape photography. There were many great thoughts that I certainly consider beneficial for me to consider as a photographer. Some is a little boring with how basic it is - but always good to remind myself of the fundamentals. Some I knew (and can actually say that I've been attempting to apply) intuitively and is encouraging to me that I've been on the right track. Other ideas totally make sense as I think about them; and leave me itching to test them out...

One of the greatest takeaways is something that I can't help but doing in any field of my artistry: Never settle for a good shot; a great shot is there if you look for it. I know I often can drive my friends and colleagues nuts with my constant unrest as I search for the greatest degree of beauty. It's inherent to my personality and strength mix I think - an "unconscious competency" is a term that may be applied. Well, the presenter spent some time in the middle of the presentation discussing shot composition and I couldn't help but hear brilliant articulation of what I strive for in every artistic discipline I am involved in. Never settle for a good [mix or lighting look, or typeface, or whatever] but keep experimenting through rehearsal and find the great.

I'm often asked (actually more and more, I am blessed to be hired as a consultant for) my thoughts for how I approach production design. If you have been around me for a while, you have probably heard me talk about the "2° and the 2%". I am most concerned with the beginning of an idea - where there's the opportunity to point the concept in the exact direction where I see it having the greatest opportunity of becoming something amazing. This is the vision and the design stage. If you start the project in the right direction, you'll succeed more often than not. 2° of difference in compass bearing may not seem like much in the short term, but it can be miles away from the ideal finish line when it's time to open doors...

I also am charged up by the opportunity to finesse the final tweaks that give the magical touch. This is the 2%. It's the difference between good enough and inspiring; the difference between bland and profound. I'm often cited as having the eye for it. Perhaps I do have a special aptitude for the artistry of seeing what works and where an improvement could be made. However, I believe most of it is my work ethic. I hate settling for less than excellent. Excellence is making the most of our resources. If we have more time to give, we should use it to make the product better.

The analogys of "taking in the scene" and "seeing the light" are so great. We all have the potential to create something amazing. What resources do we have? How can they be focused on to help tell the story that is there? See the potential and figure out the best strategy for highlighting it. Then, never settle for a good [mix or lighting look, or typeface, or whatever] but keep experimenting through rehearsal and find the great.

I was actually running sound last night and one of my students asked me during run-through, "it sounds amazing, why are you continuing to make adjustments?" Two reasons: First, it's live audio; therefore the variables are always changing. The mix engineer has to constantly stay focused on how to best reinforce what's coming from stage. Second, if I'm going to be in the chair during a rehearsal regardless, why settle for a B+ when I could find the tweak that takes it to an A- or perhaps even an A? To me, the idea of settling for mediocrity is detestable. If you're going to be involved, be all there... Anyway, the difference between some of the really good photos and their amazing counterparts are the patience and persistence exhibited by the photographer who is disciplined enough to pursue capturing the epic image that we want to hang on our walls.


*The entire video was really good:
http://www.picturecorrect.com/tips/how-to-take-dynamic-landscape-photographs/
40-45min is the location that inspired this post.

A Real Camera Really Can Make A Difference

Posted on March 4th, 2014

So thus far, I have only posted #iphone5 photos to @instagram. It has been a good exercise for me...

I'm going to break the streak in the days to come though by posting some images from our recent vacation to Hawaii.

This #latergram is a good segue as it shows my new camera (Fugi X-E2) preparing to capture a pre-sunrise exposure.


Both Emotion and Perfection

Posted on January 25th, 2014

Strive for emotion and perfection, but allow imperfection if the emotion is there. #excellence #storytelling #productiondesign #producing #maximize

Thoughts on Telling Story with Live Video Capture or Be Visibly Engaged

Posted on January 22nd, 2014

On my way home from our Production Core retreat, our conversation turned to the topic of how we shoot for broadcast and IMAG. We were referencing a video link we saw on Twitter that a TD from another church had posted. They took a shot of the audience that struck us as odd. A perfect example of a distraction that pulls us out of a moment. It lead to us talking about how we shot our Christmas service; particularly our candle-lighting moment…

I said something at some point that struck a coworker in such a way as he finally caught a glimpse of what I mean when I say, "use production to help tell the story."

The short version of the conversation is, I think there can be a legitimate place for taking shots of the audience - at least for broadcast. If the audience is on the side screens, it can take them out of the moment (similar to the Heisenberg effect) - Anyway, I was saying how it would be better to live on (spend longer time with the same shot of) a well composed shot of the lead singer (or the guitar player if he's playing a lead line that is carrying the moment) then to show a shot of the audience or background vocal if they are not engaged in the music and having unexpressive smile to go along with their singing. If a backing musician or section of the crowd is visibly engaged in the moment, then take the shot; if not, then definitely don't.

Furthermore, I'd encourage our Producer and leadership to step in to the leadership moment with any person on stage who isn't practicing the discipline of being visibly engaged in the moment.

Use Evernote for everything

Posted on January 15th, 2014

I continue to have conversations with friends who ask me to teach them how I use Evernote. I'm certainly glad to; however I realize I should share the following (my endorsement of my friend Sandi's post about how she uses Evernote) that I copy/pasted from my facebook page.

https://www.facebook.com/egwolfe/posts/10202889927640229

I wholeheartedly endorse Evernote as the #1 must-use (as opposed to just must-have) productivity tool. Sandi is right on when she says you can't overuse it. My exact workflow is different than hers, but general thought process is quite similar... Tags are great, text recognition is the jam - one of my favorite tips: take a photo at the at the end of your meeting - search by any word written on the board and the note will be recalled!

To start this year well, watch the #GTD video I posted last week; then start using Evernote. It is your catch-all file-cabinet that you take with you everywhere...and then some!

*Make sure to give it the time it deserves during your weekly review. This summer, you'll wonder how you ever lived without it.

Evernote is one of those programs that is weird to get the hang of, but once you do, it will change your life. The secret is to use it for everything. If you use it only for this or that, it will never really make sense for you. I’ve been using it for 5+ years and let me tell you, I hyperventilate a little bit without it. It’s the VERY FIRST THING I load onto a new computer. Over a better browser, over mail, over a calendar. The very first thing.

It took me a while to really hone my method - I tried various things and then discarded them like outgrown shoes. Occasionally I’d abandon it for something newer and shinier, but I always come back. And in the last two years, I’ve discovered a groove that is absolutely life changing. I hope that something here will resonate with you and make your life easier. Here’s how I use it.

1. Put EVERYTHING in it. You cannot overuse Evernote.

  • My daughter is at a swim meet. I open a note and call it "Waterford Swim Meet". It auto tags the date and location. I jot down which events she’s in. I take a photograph of the program. I take a handful of photos of her at the meet (terrible photos, I’m far far away) and one of the score board with her time on it when she broke a personal record. All go in the note. As she swims, I jot down her times for each race. On the way out, I throw away the program (no more, "where should I put this, maybe I’ll make a scrapbook someday") and can tell her what she placed, what her times were. I tag the note with three tags: "Leslie", "8th grade" & "swim".
  • I just acquired a microwave for over the stove. I open a note and call it "Microwave". I take a photo of the sticker with the model and serial number. I do a quick google search for that model + manual, download the manual and add it to the note. Finally, I photograph the receipt and add it to the note. Done. I throw away box, manual & receipt, knowing I’ll always have them if I need them.
  • I’m at Supercuts with my son and I open a note and title it "Boy haircut". In it I jot down which blade he likes for the sides and the top. We stop at the shoe store and buy sneakers. I take a quick photo of the label on the box. I label it shoes and tag it with his name.
  • I’m at the doctor with my daughter. I open a note and label it "Dr Adams". I jot down her height and weight, prescriptions and anything else valuable (shots, tests, etc). I tag it "Leslie" "Dr". Later when the bill and the EOB from the insurance company come in, I attach those to this entry.

2. Tag with three things: Who, When, What

  • You can get (and I have) crazy elaborate with tags but I’ve found that in order for them to be most useful, you only need those three pieces of info. The’ve never failed me. Who? What? When? I don’t always use tags and I don’t always use them all. But all my tags are one or more of those items.

3. Search here first

  • I get a phone call during rehearsal and the daughter says the director doesn’t want her to wear boots on stage, she needs flats, can I get her some black ones real quick? I head to Old Navy, pull up Evernote and search "shoes" and boom, there I’ve got her most recent size.
  • I’m filling out paperwork at the high school info night and need to know when a tetanus shot was. I pull up EN and search "tetanus" and get three entries - one for each of us. I grab the one tagged with the right kid, look at the date, and there you go.
  • I’m at Lowe’s and shopping for the little bulb in the microwave that illuminates the stovetop. Holy moly, there’s like a million sizes, what? I pull open EN, search for "microwave" and right there on my phone, boom, owners manual for my microwave that I can search through and find the secret code for the right bulb.
  • I’m talking to another swim mom about how the kids qualify for certain events and she tells me the time cut off. I pull out EN to see what my child got in that event with a 5 second search of "swim" and "50 back". There’s my answer.
  • I’m on the phone with student loan people and they need to know my AGI from line whatever in my taxes last year. Open EN, search for "Taxes" choose the right one and 20 seconds later, I have my answer.
  • I’m trying to find a new recipe for couscous and remember that I saw one in the magazine at the drs office a month ago. I open EN and search for "couscous" and there it is. I took a picture of it and EN found the word IN THE PHOTO.
  • What’s the name of that orthopedist I saw one time in Myrtle Beach? Open up EN and search for "orth" because I can never spell that word. Luckily, I only get hits for him and Collin’s orthodontist so we’re all good. I simply took a photo of his business card and then threw it away.
  • I’m talking to a friend who’s visiting Galveston and can’t remember the name of the pirate that we found who is buried there. Open EN, search for "pirate" and it finds the photograph of my kids standing next to the monument from the word "pirate’ engraved in the marble.

Evernote has replaced my recipe book, my filing cabinet and my filofax. It’s replaced 3 boxes of kid memorabilia in the garage. If I want a timeline, I put "leslie" 1st grade" and automagically I have samples of her work, her art, her schedule, her report cards, name and numbers of her teachers and photos of her…all in a neat timeline.

Because Evernote lives in the cloud, it doesn’t matter if my phone breaks or my house burns down, I’ll always have access. And I’ll always be able to find what I need quickly and not have a home cluttered with "I better not throw this away". It’s absolutely priceless.

Paint creek snow

Posted on December 27th, 2013

Don't mistake: if I could move to Hawaii, I would. I would miss waking up to a beautiful snowfall.


Late November Backyard Phone Photography at Dusk

Posted on November 30th, 2013

I've played football with my boys in the yard the last couple evenings. In spite of the cold, it's surprisingly fun.
Braving the winter weather has afforded me the opportunity to be outside to experience such beautiful skies as these images reveal. Each night, I paused the game for a moment and snapped these exposures with my phone in HDR mode. A few filter adjustments in Snapseed and Instagram for sharing.
Note the duck in the foreground of the shot (bottom) from the first night - he was a bonus. The second night, I took the reverse angle shot (top) from the bridge. I love how in both shots the texture of the snow that adds depth to the experience.


layers of lighting and texture

Posted on October 17th, 2013

I was sitting in the LD seat the other night. While I was operating that night, I was formulating a different blog post in my mind. The past few times I've designed/operated, I've been experimenting with challenging myself to not program a single cue. Instead I set up my profiles well so I can operate where I create each look entirely live… I'll blog further about this at some point, I'm sure. However, the response I received after the night about some of the moments caused me to compose the following:

First, for this set, I went with one of my old favorites - a 60' wide black scrim. It's pretty beat up, but I've learned that if it hangs with texture (5 tie-lines from the grid pulling up bunches of the fabric and letting the rest droop between) it can look pretty good. I went to my go-to bag-of-tricks for the purpose of letting my challenge of operating be my a touch easier:
  • Abstract line gobos strafing across the back traveler from SL and across the scrim from SR - used independently at some moments and together for others.
  • Also for moments of mood setting texture, some gothic window gobos on the back traveler
  • Saturation from LEDbricks lighting the scrim from the US side
  • Also for saturation: 5 of our LED movers placed at the base of each bunch, used at points to sconce the scrim bunches, and others to BL band or shine through haze at times with subtle movement to match the build of a song.
  • Our profile movers were hanging from T-pipes. Most of the night I put the frost-diffusion filter on them and used them as saturation backlight for the band. The final song, I had them switch to a gobo on the build and fan out through haze.
Additional layers light with our Rep Plot:
  • Saturated side-light on the band with LEDs.
  • Gobos back-lighting the band with additional bonus of the look through haze.
  • Our old 250s still living out the end of their life hanging from our apron grid gave me some additional builds with saturation, texture, and movement through haze
Because I was running all my looks live, I didn't really have the opportunity to snap good photos. Here are phone pics: First, the band reprising the walk-out (which except for taking out front-light is really the same look as the end of the final song). Also, a shot of the teaching look.


live production branding as relates to a book

Posted on October 1st, 2013

Branding - Stage, Graphics, Video, etc - should always derive from the Story.

The author should never write the book based on the title. The publishing company should design (cover art, paper, typeface, etc.) in the best way to sell the story and enhance the experience of reading…only after the author and editor have crafted a story that can stand on it's own.

We as designers should never create until we've read the script or at least talked with the Producer/Director to fully understand the vision. Depending on our experience/maturity we can (and potentially ought to) be ready with concepts based on what we suspect might work, but only if we can hold loosely to our ideas and evolve them with an open mind to complete change. The number of ideas I have moved to the back pocket is probably more impressive than the portfolio of 2,000ish designs that I've executed. A clever design idea is only a good design idea if it helps tell the story well.

Story trumps all.

Notice the beauty of each new day

Posted on September 24th, 2013

I ignored the routine for a few minutes when I saw the sun shining through the fog. I invited my son to come outside with me and enjoy the beauty for a bit. We had to hurry when we got back inside, but it was worth it.

Michigan in the fall is gorgeous.

Eric G Wolfe

Creative Director | Process Architect. Design Strategist. Leadership Coach.